The framed drawings hanging in Charles Worsham’s living room look like the most detailed scientific illustrations I have ever seen. They are nearly three feet tall and Worsham told me it takes him six months or more to make each one. Sitting at his drawing table, often in silence, he carefully observes and then draws each vein of a dried oak leaf or twist on a piece of bark with quick, confident strokes of his mechanical pencil. The subjects of his still lifes are propped up next to him, untouched for the duration of the drawing. His attention to detail and appreciation for nature were carried over from his former work as an FBI tracker, where Worsham traced the steps of people and animals by looking for broken leaves or disturbed twigs. He says he taps into an instinctual level of awareness that everyone has but most people never learn to recognize.
If his drawings weren’t terribly outside my price range, I would have loved to have brought one home.